Abdul qader al rais biography template
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Commanding considerable renown in the United Arab Emirates, Abdul Qader Al Rais explores the landscapes and traditions of his homeland. A self-taught artist, Al Rais’ primary form of expression is painting and his influences are largely from Dutch Masters and French Impressionists. His early works were realistic renderings of landscapes, traditional Emirati architecture, dhow fishing boats and coastlines but Al Rais stopped painting in 1974 until he graduated from Emirates University in 1982. More political themes permeated his work in the late 1980s and early 1990s, particularly in relation to Palestinian struggles. He later shifted his approach to a mixture of abstraction and calligraphy, focusing on the contours of Arabic letters, which are now regarded as his signature style. A retrospective of Rais' work was held at the Sharjah Art Museum in 2012 and some pieces also featured in the UAE Pavilion at the 56th Venice Biennale in 2015.
مع اكتسابه شهرة واسعة جداً في الإمارات العربية المتحدة، يستكشف عبدالقادر الريس مناظر وطنه الطبيعية وتقاليده. ويعتبر الريس فناناً عصامياً اعتمد على نفسه في تعلم الفن، وشكّل الرسم وسيلة التعبير الأساسية لديه، متأثراً بكبار الفنانين الهولنديين وبالانطباعيين الفرنسيين. واتسمت أعماله الأولى بالواقعية وصوّرت المناظر الطبيعية
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Abdul Qader Al Rais in Nuqta: The Diacritic.
Leila Heller Gallery, Dubai
23 March – 15 September, 2020
Nuqta: The Diacritic presents a series of paintings by the pioneering Emirati Artist Abdul Qader Al Rais, across his third period of his work, which is marked by his engagement with bringing abstraction and local cultural heritage into dialogue. Al Rais incorporates the contours of calligraphy as well as the rocky cliffs, deserts, and shores of the region’s unique natural world into his rigorous study of the fundamental elements of color, form, and light. The works exhibited range from oil on canvas to watercolor on paper, and offers a painterly alternative to current understandings of the UAE’s art history as rooted in highly concept-based and anti-aesthetic installations.
The show’s title, Nuqta, derives from the diacritical marking used in Arabic script, which in stark opposition to the use of circular dotting in Latin scripts, is a diagonal definitive square, and often a central motif in Al Rais’ paintings. Appearing in an enlarged size, and contrasting with the sway of the smaller, surrounding curving letters, the Nuqta takes on an authoritative presence, adding a surrealist element by distorting the viewer’s sense of dimension, while recal
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Hossein Hashempoor: Abdul Qader Al Rais; A Moderate and Record-Breaking Painter
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