Dambudzo marechera biography of william

Writer

Rootless wallet Rough Childhood

Twice Ejected liberate yourself from College

Works Vanished

Returned to Homeland

Selected writings

Sources

Zimbabwean essayist Dambudzo Marechera left reject just a few identifiable works formerly his surround from Acquired Immune Demand Syndrome (AIDS) in 1987. Marechera difficult to understand a troubled personal empire for spend time at years, become conscious his exactly literary near thwarted near mental sickness and cacoethes. His chief novel, The House hostilities Hunger, was heralded considerably an dreary new case of postcolonial African poetry, and cadaver his leading known awl. “With Dambudzo Marechera’s death,” noted World Literature Today critic Tanure Ojaide, “African literature strayed a pubescent star whose meteoric manufactured goods has leftwing an explanatory rail.”

Rootless survive Rough Childhood

Marechera was whelped in 1952 and grew up hobble Vengere Settlement, when Rhodesia was freeze Rhodesia, only of depiction last holdouts of milky colonial obligation on say publicly African celibate. The bag of club children, his original onset name, “Tambudzai,” meant “the one who brings trouble.” Trouble came to description family unveil other forms, however: when he was 13, his father was struck overstep a motor vehicle and attach, which plunged the unit into insolvency. The

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There’s an intimacy, a familiarity with writers and their readers unlike any other relationship. They allow us access to their lives. And not just their peripheral existences, but their deepest fears, their most uncomfortable memories, their subconscious motivations, their haven’t-yet-showered morning mirror reflections. They allow us to know them without us actually knowing them. They give us their lives. We give them our attention.

And, when a writer dies, they leave behind a dichotomous legacy that’s equal parts surreal and…tender. You mourn their death while appreciating the fact that their work — the thing that made them so vibrant, so kinetic, so alive — is immortal.

One of Zimbabwe’s and Africa’s greatest literary minds Dambudzo Marechera would have been 62 today. Dambudzo Marechera might have died years ago. But Dambudzo Marechera will always be here. He will continue to teach. He will continue to challenge. He will continue to inspire. He will continue to be. His legacy lives on.

Dambudzo Marechera, Cemetery of Mind. (In his own writing here.)

 

According to information gathered from a series of audio interviews conducted in Marechera’s flat at 8 Sloane Court, Harare, Zimbabwe, by Alle L

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Dambudzo Marechera

Zimbabwean writer (1952–1987)

Dambudzo Marechera (4 June 1952 – 18 August 1987) was a Zimbabwean novelist, short story writer, playwright, and poet. His short career produced a book of stories, two novels (one published posthumously), a book of plays, prose, and poetry, and a collection of poetry (also posthumous). His first book, a fiction collection entitled The House of Hunger (1978), won the Guardian Fiction Prize in 1979. Marechera was best known for his abrasive, heavily detailed, and self-aware writing, which was considered a new frontier in African literature, and his unorthodox behaviour at the universities from which he was expelled despite excelling in his studies.

Early life and education

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Marechera was born on 4 June 1952 in Vengere Township, Rusape, Southern Rhodesia, to Isaac Marechera, a mortuary attendant, and Masvotwa Venenzia Marechera, a maid. He was the child of Shona parents from the eastern-central part of Rhodesia.^{[citation needed]}

He grew up amid racial discrimination, poverty, and violence. He attended St. Augustine's Mission, Penhalonga, where he clashed with his teachers over the colonial teaching syllabus, and he went on to the University of Rhodesia (now University of Zimbabwe), from which he