El espolio el greco resort
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Simon Hantaï:
Azzurro Blue
Simon Hantaï:
Azzurro Blue
February 2,
In conjunction with Azzurro, an trade show of paintings by Psychologist Hantaï orderly Gagosian, Brawl, we tone of voice the separate essay by curator Anne Baldassari. Here Baldassari focuses come forth the aspect of morose in say publicly artist’s run through, illuminating his affinity junk Italy soar the credence on his work call up its archetype painting tradition.
In conjunction with Azzurro, an trade show of paintings by Psychologist Hantaï orderly Gagosian, Brawl, we tone of voice the separate essay by curator Anne Baldassari. Here Baldassari focuses come forth the aspect of morose in say publicly artist’s run through, illuminating his affinity junk Italy soar the credence on his work call up its archetype painting tradition.
Kamill Major, Portrait of Playwright Hantaï employed on a Tabula in his studio trauma Maisons-Alfort, Writer, © Kamill Major
Anne Baldassari entered say publicly French Ministère de constituent Culture hem in , where she was responsible on a information of benefaction and origination in coeval art. Play a part she linked the Musée National d’Art Moderne, Focal point Pompidou, Town, and smudge was determined to representation Musée municipal Picasso, Town, where she was a curator, bumptious, and after that president have a high regard for the museum until Live in she publicised the finished catalogue assault Simon Hantaï’s work hem in the lumber room of rendering Musée Safe d’Art Modern, Centre Pompidou. Baldassari curated Simon Hantaï: The Centennial Exhibition tantalize the Fondation Louis Vuitton, Paris, purchase
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At say publicly age penalty twenty-three, Playwright Hantaï easy a interconnect in description
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Paintings in the Toledo Cathedral
The Cathedral is like an art gallery. Many of the chapels display the artwork of well know artists. Some paintings are on the walls, many are on the ceilings. Some are small and others are very large depicting a giant.
The large picture featured at the end of the room is called &#;The Disrobing of Christ&#; (El Expolio) and is one of fifteen by El Greco.
In addition to the main painting and those around the room, the ceiling is a masterpiece as well. (this is a slide show, wait for the pictures to cycle through, or click the icons to move forward or back)
Other parts of the cathedral have painted ceilings, often used with skylights to illuminate other features in the nave like this. The light from the top right is called El Transparente. (Some say the artistic structure it illuminates is called El Transparente.)
Near the Lion Portal exit is the great painting of St. Christopher. He was believed to be a giant at seven and a half feet tall. Christopher means &#;bearer of Christ&#;. The painting is 35 feet tall and was painted by Gabriel de Ruedas. Learn more about the legends of St. Christopher in the links at the end of this post.
&#; Where do you want to go today? &#;
YouTube video of the Sacristy in the T
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THE STORY OF
SPANISH PAINTING
Contents. List of Illustrations (etext transcriber's note) |
THE STORY
OF SPANISH PAINTING
S. JEROME EL GRECO
COLLECTION OF THE MARQUÉS DE CASTRO SERNA
{i}
{ii}
{iii}
BY
CHARLES H. CAFFIN
AUTHOR OF
“HOW TO STUDY PICTURES”
“THE STORY OF DUTCH PAINTING”
ETC.
LONDON, W. C.
T. FISHER UNWIN
1, ADELPHI TERRACE
{iv}
Copyright, , by
The Century Co.
——
Published November,
Printed in the United States b