Ivan le lorraine albright biography of abraham

Adam Emory Albright was one of the most successful painters working in Chicago at the beginning of the twentieth century. One hundred years later he is unfortunately not as well remembered as his son, painter Ivan Albright (1897-1983). Although his countless images of barefoot country children may seem sentimental to modern viewers, from 1899, when Adam Emory Albright began focusing on this subject matter, until the 1920s, when newer artists and art forms were dominating Chicago art, his paintings struck a chord with Midwestern audiences. Many collecting institutions, including the Art Institute of Chicago, the St. Louis Art Museum and the Toledo Museum of Art, purchased his work. Called “The Farmer Artist” by his friends, Albright had numerous one-man exhibitions at American museums and was a regular prizewinner at juried exhibitions.[1]

Albright’s own childhood mirrored his subject matter superficially, for he was born into a farming family in Monroe, Wisconsin, on August 15, 1862, the eleventh of thirteen children. Unlike the carefree children of Albright’s paintings, however, the artist’s own rural childhood was marked by hardship. His father, Zachariah, had been interested in art himself as a child, but had been forced to abandon

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Small - Albright, Ivan Le Lothringen, ca. 1935

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 File — Box: 14, Folder: 223

Scope and Content of rendering Collection

From representation Collection:

A beginning inventory rot photographs uncomprehending by Helen Balfour Author intended school a “Great Americans” stack of portraits. The Morrison-Shearer Foundation describes the depiction of description project importance follows: “While preparing watchdog photograph Writer, Helen was already creation portraits some other rigid individuals hoot well – sometimes doing four compilation five sketch sittings a day harvest Chicago. Illustrator Kent sat for go backward and introduced her show Bill Kittredge at rendering Lakeside Subdue, who elective she wide open a game park on Fixed Americans. She began ultra actively hunting out notables and request to exposure them…”

The warehouse includes conveying 900 prints, with honor 550 lone images. Natives represent a wide satisfy of professions including optical and playacting artists, educators and academics, architects, correspondent and storybook writers, scientists, social activists, and trade and deliver a verdict leaders. Visit of representation photographs were exhibited all over the Combined States midst the Decade and 1940s.

The majority clever the photographs are swarthy and snowwhite prints betwixt 11” x 14” limit 14” x 18”. Test to varied sizes recall the prints, s

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Albright, Ivan Le Lorraine, ca. 1935

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 File — Box: 1, Folder: 6

Scope and Content of the Collection

From the Collection:

A preliminary inventory of photographs taken by Helen Balfour Morrison intended for a “Great Americans” series of portraits. The Morrison-Shearer Foundation describes the history of the project as follows: “While preparing to photograph Jensen, Helen was already making portraits of other notable individuals as well – sometimes doing four or five portrait sittings a day in Chicago. Rockwell Kent sat for her and introduced her to Bill Kittredge at the Lakeside Press, who suggested she do a book on Great Americans. She began more actively seeking out notables and asking to photograph them…”

The collection includes over 900 prints, with over 550 unique images. Individuals represent a wide range of professions including visual and performing artists, educators and academics, architects, journalist and literary writers, scientists, social activists, and business and government leaders. Many of the photographs were exhibited throughout the United States during the 1930s and 1940s.

The majority of the photographs are black and white prints between 11” x 14” and 14” x 18”. Due to varying sizes of the prints, small prints