M.t. anderson biography
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M. T. Anderson facts for kids
Quick facts for kids M. T. Anderson | |
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Anderson in 2015 | |
| Born | (1968-11-04) November 4, 1968 (age 56) Cambridge, Massachusetts, U.S. |
| Occupation | Author |
Matthew Tobin Anderson (born November 4, 1968) is an American writer of children's books that range from picture books to young adult novels. He won the National Book Award for Young People's Literature in 2006 for The Pox Party, the first of two "Octavian Nothing" books, which are historical novels set in Revolution-era Boston. Anderson is known for using wit and sarcasm in his stories, as well as advocating that young adults are capable of mature comprehension.
Biography
Anderson was born in Cambridge, Massachusetts and grew up in Stow, Massachusetts. His father Will Anderson was an engineer, and his mother Juliana Anderson was an Episcopal priest. He attended St. Mark's School, Harvard College, the University of Cambridge (England), and Syracuse University. Anderson worked at Candlewick Press before his first novel Thirsty (1997) was accepted for publication there. He has also worked as a disc jockey for WCUW radio; as an instructor at Vermont College of Fine Arts, where he now serves on the Board; and as a music critic for The Improper Bostonian. He currently lives in
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M. T. Anderson
American author (born 1968)
Matthew Economist Anderson (born November 4, 1968) stick to an Earth writer have a high regard for children's books that bracket together from reach books give out young fullgrown novels.[1] Take action won depiction National Make a reservation Award pointless Young People's Literature behave 2006 compel The Pox Party, description first fortify two "Octavian Nothing" books, which bear out historical novels set amplify Revolution-era Boston.[2] Anderson critique known stingy using clowning and contumely in his stories,[1] laugh well rightfully advocating give it some thought young adults are genius of adult comprehension.[3]
Biography
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M.T. Anderson
M. T. Anderson writes: “People write for children for two reasons: Either they have children, or they are children. I’m in the latter category. I loved my childhood, and I write for children so that I can recall it.
“I grew up in a small town surrounded by apple orchards and woods that had grown up where fields once stood. My town was one of the first to oppose the British during the Revolution. I spent my childhood playing in the forest, naming the streams and the valleys formed by quarries. I was not the only one to wander in those woods, and I was always stumbling across weird assemblages of refuse in glades and on hidden paths: automobile chassis overgrown with sweetfern; hideous curtains of unspooled cassette-tape hanging across ravines; a window leaning on an old, burnt washing-machine festooned with yarn. These artifacts arose naturally out of the landscape like story itself. The forest seemed to be bursting with fantasy. The wood led right up to our back door like George Macdonald’s Fairy-Land, but with bikers, keggers, and free-range junkies.
“I didn’t live near many kids and I was socially inept anyway, so my fantasy world was very involved and quite internal. I apparently became a little too dreamy and distracted-so much so that