Olivier de sagazan biography sampled

  • Originally trained as a biologist, the Congo-born, France-based painter and sculptor Olivier de Sagazan has since turned to a practice of "Living.
  • Sculptures of human and animal bodies expose their viscera in the work of French artist Olivier de Sagazan.
  • An interview with French artist Olivier de Sagazan about his performance art piece 'Transfiguration'.

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    This week I came across some of the sculptural work by artist Olivier de Sagazan and was struck by how eerie and wonderful it was! Captivating, morbid shapes and figures, sometimes using his own body to build upon- like nothing I’d seen.

    I love the idea of transforming into your art directly like this, creating a new self.

    “In his existential performative series Transfiguration,  which he began in 1999, de Sagazan builds layers of clay and paint onto his own face and body to transform, disfigure and take apart his own figure, revealing an animalistic human who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work collapses the boundaries between the physical, animalistic and spiritual senses.  The artist states: « I am flabbergasted in seeing to what degree people think its normal, or even trite, to be alive. » Olivier de Sagazan has exhibited widely in Europe, Canada, Bresilia, Corea, China, Quebec, India …in art galleries, museums, and film festivals. With an almost cult following online, and rave reviews about his expressive and inimitable style, it is no wonder de Sagazan’s remarkable « body art » work is featured in the non-verbal film Samsara, the Sequel to Baraka, directed by Ron Fricke and in

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  • olivier de sagazan biography sampled

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    Sculptures of human and animal bodies expose their viscera in the work of French artist Olivier de Sagazan. When he isn’t applying layers of paint and clay to warp and transfigure his own face and body, he’s basically a surgeon: in one sculpture, de Sagazan slices a human sculpture in half from top to bottom, and in another he hangs a gutted pig from a wooden post, as if to bleed the body and roast it over open flame. This body of work is born of biological curiosity, not a fascination with death and annihilation, or a fixation with the grotesque like Colin Christian’s fleshy sculptures or Jonathan Payne’s gruesome and freakish human body parts.

    De Sagazan tells Creators that he has no formal training in art. Instead, he studied biology; and, in his mind, he is always trying to understand life. In the 90s, de Sagazan started painting, and sculpture came a few years later to, as he puts it, get closer to our world.

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    Recently, de Sagazan found a new material for his biological sculptures—a mortar made of clay and grass. Sagan believes this combination of materials strangely evokes the look and texture of flesh, tendons, and muscles that wind their way through human and animal bodies.

    “I am with it as with a body t