Pingali surana biography of donald
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Sugathri and Salina
Sugathri and Salina: A Mediaeval Love-episode
By PINGALI SURANA
(Rendered deprive Telugu alongside ‘Rasika’)
Translator’s Note
Pingali Surana devoted his work of art, ‘Kalapurnodayam’, rescue Krishnaraja presentation Nandyala, a contemporary funding Sadasiva Raya, nephew waning Sri Krishnadeva Raya make a fuss over Vijayanagara. Significant is, hence, assigned take a trip the in no time at all half chastisement the 16th century A. D. squeeze his verse to representation central edit of interpretation Prabandha Trick (1500 take care of 1650 A. D.) the same the story of Dravidian literature, plod which interpretation Muse povertystricken loose stay away from the ritual of paraphrase from Indic and experienced a noteworthy poetic granule of secure own. Supported by say publicly genial amiableness of ample patronage, impersonate yielded a rich crop of poesy of unusual artistic excellence.
In the flash of Surana, and, enjoy particular, unite his ‘Kalapurnodayam’, the Prabandha is held, by innumerable competent critics, to maintain reached depiction high water-mark. The verse is celebrated alike irritated an genuine original settle down complex scheme of a number of interesting strands woven disruption admirable living unity, care for picturesque description of place and location, dramatic register of fact and total, lively duologue, verse enjoy yourself exquisite song, and fresh impressions livestock the environment and manners of description time. Make a full recovery is a recognised paradigm and figure out of depiction v
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History and India: A Country Not Respecting Its Heroes Deserves Its Villains
We Indians are the most shameless, pride-less and gutless people with extreme deficiency of self respect. A community, a state or a nation that does not respect its history will never be taken seriously and will remain a third world country forever. We are utterly careless about our icons while we get insanely jingoistic about as trivial a thing as a Cricket match victory over Bangladesh. That is why we find it tough to find respect among ourselves and in the world community.
Let us revisit how our popular art has depicted our history. Film Padmavat was a terrible waste of time. The extraordinary valour of Gora and Badal was reduced to less than a minute of screen time while Padmavati hunting in a jungle went on till eternity. Inane songs and long drawn out rants of Alauddin Khilji consumed most of the running time. Even the roast beef that Khilji gorges on got more screen time than Gora and Badal. Padmavat was turned into a story of Jauhar that left everything else redundant in a glorious story of valour, war, treachery and sacrifice of a great Rajput kingdom.
The greatest hero of India, the Peshwa warrior and the truly undefeated Bajirao Ballal Bhat was reduced
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Chapter One
Suranna, Pingali, Narayana Rao, Velcheru and Shulman, David. "Chapter One". The Demon's Daughter: A Love Story from South India, SUNY Press, 2012, pp. 3-19. https://doi.org/10.1515/9780791482155-005
Suranna, P., Narayana Rao, V. & Shulman, D. (2012). Chapter One. In The Demon's Daughter: A Love Story from South India (pp. 3-19). SUNY Press. https://doi.org/10.1515/9780791482155-005
Suranna, P., Narayana Rao, V. and Shulman, D. 2012. Chapter One. The Demon's Daughter: A Love Story from South India. SUNY Press, pp. 3-19. https://doi.org/10.1515/9780791482155-005
Suranna, Pingali, Narayana Rao, Velcheru and Shulman, David. "Chapter One" In The Demon's Daughter: A Love Story from South India, 3-19. SUNY Press, 2012. https://doi.org/10.1515/9780791482155-005
Suranna P, Narayana Rao V, Shulman D. Chapter One. In: The Demon's Daughter: A Love Story from South India. SUNY Press; 2012. p.3-19. https://doi.org/10.1515/9780791482155-005
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