Igor stravinsky biography summary of winston
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Fact-or-fiction Chanel-Stravinsky affair curtains Cannes
Cannes — "Coco" Chanel’s serial affairs with illustrious lovers have long been set in print, and Cannes curtains its film festival Sunday with a fact-or-fiction tale on her affair with Igor Stravinsky.
Endorsed by the fashion label and starring house "face" Anna Mouglalis and Karl Lagerfeld designs, the story chronicles Chanel’s 1913 encounter and ensuing affair with the Russian avant-garde composer.
Historians agree that Chanel, a successful businesswoman with connections to Paris’s leading artists at the time, did indeed know Stravinsky and was his patron in the 1920s, inviting him, his wife and four children to live in her country home.
But biographers are divided on whether or not the pair fell in love and the fashion house itself told AFP that "this is fiction as we have no proof."
Biopics are not an easy genre, and director Jan Kounen’s "Coco Chanel & Igor Stravinsky" elicited little response from critics at a preview ahead of its red-carpet premiere at the evening closing ceremony.
A century after Gabrielle Chanel launched her now legendary house, and 40 years after her death, Coco currently is all the rage in France.
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I haven't understood a bar of music in my life, but I have felt it.
Igor Fyodorovich Stravinsky was a Russian-born composer, pianist, and conductor. He is widely considered one of the most important and influential composers of the 20th century.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910, Petrushka 1911, and The Rite of Spring 1913. The latter transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design.
His "Russian phase", which continued with works such as Renard, L'Histoire du soldat, and Les Noces, was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms concerto grosso, fugue, and symphony and drew from earlier styles, especially those of the 18th century. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy,