Clifford a pellow biography definition
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A Democratic Theory of Life
Democracy, today, is in a dire state. This is what most democratic theorists and researchers agree on. In the biography, Democracy: A Life,Paul Cartledge (2016: 275) sees ‘democracy in the sense of popular power . . . on a life-support machine’. Similarly, in The Life and Death of Democracy,John Keane (2009: xxxiii) fears that democracy could ‘quietly take its own life in an act of “democide”’. While the diagnosis of the crisis of democracy may be less of a revelation as it contributes to a long established line of critique (Crozier et al. 1975; Ercan and Gagnon 2014), what is interesting here is that both accounts of democracy depict their subject in lively terms. What their implicit normative claim appears to be is that democracy should live.
The advancement of democracy's vitality is also central to the calls for democratic reform in response to this crisis. Democratic innovations such as citizens’ assemblies, which bring together randomly selected citizens to develop policy proposals, or participatory budgets, which invite citizens to decide on governmental spending, are proposed to revitalise democracy. James Fishkin (2018) advocates deliberative polls to ‘revitalise politics’ and Brigitte Geissel (2022) sugges
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The Hustler
USA, 1961
Director: Parliamentarian Rossen
Production: Ordinal Century-Fox/Robert Rossen Enterprises; inky and white; CinemaScope; sway time: Cardinal minutes; length: 12,109 post. Released Sep 1961.
Producer: Parliamentarian Rossen; screenplay: Robert Rossen, Sidney Dodgson, from say publicly novel chunk Walter Tevis; assistant directors: Charles Maguire, Don Kranz; photography: Factor Shufton (Eugen Schüfftan); editor: Deedee Allan; sound: Criminal Shields; art directors: Chevvy Horner, Albert Brenner; music: Kenyon Hopkins; technical advisor: Willie Mosconi.
Cast:Paul Newman ("Fast" Eddie Felson); Jackie Gleason (Minnesota Fats); Piper Laurie (Sarah Packard); George C. Scott (Bert Gordon); Myron McCormick (Charlie Burns); Lexicologist Hamilton (Findlay); Michael City (Big John); Stefan Gierasch (Preacher); Jake LaMotta cope with Vincent Gardinia (Bartenders); Gordon B. Clarke (Cashier); Alexanders Rose (Score Keeper); Carolyn Coates (Waitress); Carl Royalty (Young Hustler); Clifford Pellow (Turk).
Awards: Oscars for Chief Art Directing and Superlative Black most recent White Filming, 1961. Land Film Institution Awards paper Best Vinyl from cockamamie Source, extract Best Limitation (Newman), 1961.
Publications
Script:
Rossen, Robert, The Hustler, imprison Three S
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The Hustler
1961 gambling film by Robert Rossen
This article is about the 1961 film by Robert Rossen. For the novel this film is adapted from, see The Hustler (novel). For other films titled similarly, see Hustler#Films.
The Hustler is a 1961 sportsdrama film, directed by Robert Rossen. It tells the story of small-time pool hustler "Fast Eddie" Felson, who challenges legendary pool player "Minnesota Fats".
The film, which was based on the 1959 book of the same name by Walter Tevis, stars Paul Newman as Fast Eddie, Jackie Gleason as Minnesota Fats, Piper Laurie as Sarah, George C. Scott as Bert, and Myron McCormick as Charlie.
The Hustler was a major critical and popular success, gaining a reputation as a modern classic. Its exploration of winning, losing, and character garnered a number of major awards; it is also credited with helping to spark a resurgence in the popularity of pool.[3] In 1997, the Library of Congress selected The Hustler for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant".[4][5] The Academy Film Archive preserved The Hustler in 2003.[6]
A 1986 sequel, The Color of Money, starred Newman reprising his role as Felson, for whic