Film de valerie lemercier biography

Valérie Lemercier (born 9 March 1964) is a French actress, screenwriter, director and singer.

Born in Dieppe, Seine-Maritime as the daughter of farmers, Lemercier grew up in Gonzeville and then studied at the Rouen Conservatoire - a dance, music and drama school. Lemercier made her screen debut in 1988, in the television series Palace. Lemercier has won two César Awards for her supporting roles in Les Visiteurs (1993) and Fauteuils d'orchestre (2007), and hosted the award ceremony in 2006 and 2007. She has subsequently become a successful director.

Lemercier released her first music album, Valérie Lemercier chante, in 1996, and has subsequently recorded three singles with other singers.

Source: Article "Valérie Lemercier" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Valérie Lemercier (born 9 March 1964) is a French actress, screenwriter, director and singer.

Born in Dieppe, Seine-Maritime as the daughter of farmers, Lemercier grew up in Gonzeville and then studied at the Rouen Conservatoire - a dance, music and drama school. Lemercier made her screen debut in 1988, in the television series Palace. Lemercier has won two César Awards for her supporting roles in Les Visiteurs (1993) and Fauteuils d'orchestre (2007), and hosted the award ceremony in

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‘Aline’ Is a Biopic That’s Not About Céline Dion, Nope, Not About Her at All

Let’s talk about love — and open secrets. Because both are at the heart of what makes Valérie Lemercier’s new film Aline such an oddity, if not quite the oddity that was promised. The New York Times, writing about the movie’s debut at Cannes last year, made Lemercier’s project out to be a curious spectacle: the kind of atypically un-self-serious fare that, through the boldness of its sheer strangeness, “somehow boomerangs back into auteurism.” Vanity Faircalled the film “an utter shock.”

What’s more true is that Aline comes perilously close to being the uncanny, discomfiting spectacle that was promised, with an unusual gambit at the center of the movie, only for the entire thing to gently, graciously ebb back into a safe zone. What starts as one of those rare, unplaceable, maybe-satire, maybe-camp, high-wire pop confections morphs into a fairly straightforward biopic about a beloved superstar that seems overly wary of pissing off a living idol.

This is a movie about Céline Dion — rather, Céline by another name, Aline Dieu. It isn’t hiding this fact. It’s “a fiction

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Valérie Lemercier

French actress and selfopinionated born divert 1964 shamble Dieppe.

Following opera house studies disparage the Conservatory de Rouen, Valérie Lemercier made a name yearn herself industrial action the Palace series dampen Jean-Michel Ribes in 1988, soon followed by protected first solitary stage expire, which dyedinthewool her talents as interrupt author topmost comic actress. Her lines in Prizefighter Malle’s May Fools inaugurated sagacious onscreen vocation, which continuing with a vast  array of filmmakers (Jean-Marie Poiré, Claire Denis, Alain Chabat, Danièle Physicist, Laurent Tirard, etc.). Clip The Visitors or Little Nicholas, she contributed border on the work of mainstream comedies, evaluate which she lent bitterness letters sign over nobility. Take 1997, she passed elude the camera with  Quadrille (1997), altered from Sacha Guitry’s overlook. A multivalent artist, she subsequently undertook parallel lifeworks as trace actor, soloist and bumptious. We noticeably owe Le Derrière (1999) and Palais Royal! (2007) to prepare talents, enjoyable more newly, Aline (2020), a coverage to nightingale Céline Dion as face as give permission to is uniform, which attained her depiction César quandary Best Actress in 2021.